I read a lot about wine, and the one thing that consistently irritates me
about so many reviews is the fawning, oh-my-god-this-wine-is-amazing accolades that
many churn out.
The thing though is that, truly, there are many wines of the world which are just wines doing their thing – they’re just wine being wine.
They’re fine and dandy. And that’s okay because, come on – not every wine can be a show stopping, benchmark wine of the world. Not every wine is amazing – the vast majority are simply good or very good as long as they’re not flawed. Full stop.
But then there are wines like this one – those produced by masters of the art of winemaking who allow the terroir to imprint the wine. People who treat the earth and the vines with such respect and sustainable practices that the grapes are the leading characters and the winemakers are merely gently guiding the process from the sidelines. And they’re not afraid to admit it – in fact, they embrace the role.
This is a stunning example of a benchmark white wine, from a famous piece of schist dominated
dirt (planted since 1130 AD, see picture) which is now its own appellation, even though it’s only 13 hectares in size. Nicholas Joly is the owner and winemaker, and his daughter Virginie whom I met in 2014 works alongside him in this capacity (see picture).
There is not much new I could tell you about the Jolys and their work – after all, he is an icon of hands off biodynamism, and the reason for the NNW (New Natural Movement). But I can tell you this wine practically gave me whiplash, and sure made me sit up straight.
We opened it at 14 years old and did not decant it – we wanted to see how it would open up in the bottle over the evening. We were unable to save any for the next few days to observe changes – we couldn’t stop ourselves and drank it in one sitting, even though Mr. Joly himself recommends enjoying his bottles over three days. How anyone could wait so long to finish it is completely beyond me.
Deeply gold in colour, the aromas and palate were complex and powerful – carnation, spiced nutmeg and cinnamon, composted, super ripe yellow apple, fig, straw, and quince layered in over top salted sea caramel, walnut and Oloroso sherry. The developed palate is rounded, full and waxy, supported by high acidity which means it can be held for many years to come.
Truly a work of art, this is a bottle to hold for another 5-7 years if you have some. I am thrilled to say I have one more. It’s going to take a lot for me to open it though. That said, I am open to ideas.

Anyone who follows me on social media will know I was in Mexico recently with my family to celebrate 20 years of togetherness. What better way to toast our family’s union than to enjoy a Mexican wine from the oldest winery in the Americas (est. 1597) with the anniversary dinner.
maintain an open mind -and I’m glad I did, because the 3V was a lovely accompaniment to our celebratory dinner.
(‘parras’ means ‘vines’ in Spanish), is grown at 1,525m. This is the only reason wines of any measure of quality can be produced this far south – the altitude offers an air conditioning effect on the vines. The Val de Parras is a microclimate oasis in the middle of what is otherwise mountain ranges and semi-desert.
Deep purple with aromas of strawberry, blueberry, plum and boysenberry, the palate shows the same fresh fruit, augmented with dried tobacco leaf, marvelous body, and good acidity. It has spent 12 months ageing in American, European and French oak.
denomination systems. 

Classic, classic, classic – it doesn’t get much better than this developed, yet still bright, mostly Tempranillo wine from benchmark Rioja winery, Lopez de Heredia.
Lopez de Heredia red wines and is often enjoyed much earlier than we did this one – but it was outstanding nonetheless (we opened it at 11 years old).
The dry palate is both soft and complex showing mocha nibs, cigar box, pastrami and walnut. There’s even still some bright fruit – black plum and cranberry. Spicy and candied, it has fabulous acidity and a lengthy
Owners Shay and Harlee Code decided in 2016 to purchase land in Okanagan Falls on which they planted Viognier, Syrah, several clones of Pinot Noir, and Chardonnay grapes.
In 1999, when Cristiana Tiberio’s father Riccardo discovered this property and its rare Trebbiano Abruzzese vines in the middle-of-nowhere Abruzzo, emptied his bank accounts to buy it, and replanted most of it with Montepulciano d’Abruzzo, more Trebbiano Abruzzese, Pecorino and Moscato di Castiglione grapes indigenous to the region, people said he was crazy – and worse, that no one would ever buy his wines.
placed in her.
“Outside Abruzzo, I haven’t had any trouble. But here, no – she’s a girl, what can she do?! Honestly, the secret of me has been our father. Since I was a child, I grew up thinking I could do whatever I wanted – it was up to me – being a girl had nothing to do with it. My father purchased this property and spent all his money. I find this a big responsibility. It’s been tough, but I carry it.”
Riccardo has long since retired into his truffle hunting hobby (his retired dogs Quarmari and Diana are in the pictures, and all over their Instagram), but Cristiana and Antonio shepherd the 30 hectares of 20-80 year old vines with great passion, noting that “Every five minutes, there’s a new challenge. Bugs, disease, pandemics, earthquakes…whatever can happen will happen.”

While Tiberio is neither organic nor biodynamic, Cristiana agrees it would have been much easier for them initially if they’d had those certifications. Now she asserts, “I think the organic and biodynamic route has been important, but it has been overtaken by the marketing. We don’t need a sticker or a stamp – we need to communicate the details of our land, our grapes, our process. It’s much tougher for a smaller winery like ours, because I need to invest time to communicate. But at this point, we are good and now I do it for our industry.”
Tenuta di Tavignano is located in a valley above the Musone River which flows between the Apiennes and the Adriatic on Italy’s hamstring.

As Ondine remarks, ‘In Italy, wine is our bread. We have the wine, bread and oil at church and this is part of our Italian heritage, our life. It’s our right and we want to make it available to everyone.’
And this is one of them. The Misco Riserva 2017 is made from handpicked passes over the last, most mature grapes of the harvest. Deep lemon, the nose and palate is all elegance – almond biscotti, white flowers, acacia and anise. The year it spent on lees has built a real beauty with a deeply mineral backbone. Two more years of aging in stainless steel gives the impression of it having spent time in wood, although it hasn’t.
Erica (pictured right).
I liked colleagues Melanie and Giuseppe right away. I had booked a premier tasting at the Casa Chianti Classico in Radda to learn more about the structure of Chianti Classico. We connected quickly over a conversation about Canadian fish and chips, wine, and cars.
The Riserva example was Azienda Agricola Casa Emma’s Chianti Classico DOCG, 2018 from Vignalparco, east of Radda – a delicious garnet wine with basalmic prune, cocoa nib, and an elegantly rounded leather structure.
Castellinuzza e Piuca, Gran Selezione (only made in certain years approved by the Casa Chianti Classico DOCG). This 100% Sangiovese hails from a unique one hectare vineyard located adjacent to a cooling forest near Greve at 600m above sea level. Very few bottles of this single hectare wine were made – and this was the last one at the Casa Chianti Classico.
dusty roses and violets, white pepper, truffle, and smoked meat. Its dry palate has high acidity alongside plum, truffle, dried herb, salumi, and a drizzle of bittersweet castagno (chestnut) honey.
A lengthy finish is complemented by velvety tannins and development remarkable for such a young sample. What might await a lucky drinker in 5, 8 or 10 years?
This special tasting was augmented by a delicious charcuterie featuring a Chianti Classico olive oil from corregiolo olives tasting of bitter green grass and ground black pepper.
Before we travelled to Italy, I had planned a casual visit to the Avignonesi Winery, imagining I’d simply enjoy some Vino Nobile di Montepulciano on the patio enroute from Perugia to Greve. I had enjoyed their wine before in Canada, and was curious to drop in and see the property. 
Their Il Marzocco Chardonnay IGT, 2020 was a complete surprise. I hadn’t flown all that way to drink Chardonnay – but then I did. What an unexpected delight. Pale lemon with verbena, pineapple, white flower, and a surprising backbone that could carry it through a meal, its delicate lees offered a creamy contrast to the excellent acidity.
The single vineyard Oceano, was an ethereal beauty. A 100% Sangiovese, Vino Nobile di Montepulciano, 2017, the Oceano vineyard has blue clay soil which grows structured grapes. Translucent ruby with delicate tannins, its nose and palate are intense with rose water, sour cherry, dried rose, potpourri, thyme, and rosemary. It’s an emotional wine – with a very long and deep finish.
Fifty litre barrels are used for aging the wine for 10 years with the ‘madre’ or starter wine, plus room for air to ensure oxidation. The wine rests in bottle for at least a year after the decade in barrel.
I brought some of this potion home with me. Thankfully it was available in 100ml bottles, so I didn’t need to risk any airline losing my wine and causing tears. My Eye of the Pheasant is safely ensconced now in the cellar. For how long, nobody knows.


